A core value of The Cabaret Company is building community. We love getting the opportunity to showcase the many talented individuals who make this community thrive, to foster connections between performers, audience, venue staff, and all behind the scenes people making things crackle and pop!

Each month we aim to feature thoughts, insights, and stories from local babes, and friends from further away. Sign up for our newsletter to see who we are featuring or visit this page every month for the full interview!

October 2025: LeTabby Lexington & Ivory

LeTabby Lexington (she/her)

When did you did join the cabaret community? What inspired you to become involved?

It’s been about 14/15 years. I’ve been a theatre kids since grade school. I feel like burlesque played the long game with me. I was asked ages ago to join a burlesque troupe and I didn’t know what it was. I was too shy/scared. I moved to Alberta and reconnected with a childhood friend who performed burlesque. Then I did a piece at Nextfest where I stripped while talking about who I was as a person. I met Ellen, that night she she said- want to do burlesque? I said.. sure! And now it’s my life!

What is your favourite act to perform? Why?
OR What is your favourite outfit you’ve made or show you’re part of?

My favourite act is my Mouth Trumpet Clown where I dance to my own voice singing a jazz song- mimicking the instruments! It’s very silly and a satire of a satire.

What trend do you want to see more of?
What trend do you wish would STOP?

I want to see more silly burlesque. I love it!

Can you describe a moment that challenged you as a performer?

Whenever I’m not in love with a project- it makes it hard. A friend once said- we don’t get paid enough not to have fun.

Have you ever dealt with burn out? How did you manage it?

Oh gosh yes. I am so bad for pushing myself. I am working on boundaries and self care.

From where do you draw inspiration to create new art?

Often from listening to music- a whole concept starts to hit me.

Did you ever consider an alternative stage name? What was it? Who would that person have been?

I wish sometimes I had a fun punny name. I love other’s great playful names. But I love mine too. It’s my nickname from University and my fave Gargoyle. I feel my name represents me well- it says Fancy Weirdo to me!

If you could learn one new performance skill what would it be?

I wish I could play an instrument!

What is your DREAM SHOW? Money is no object.
Who is your DREAM CAST? (dead or alive)

I want to do broadway level burlesque shows – big sets, big costumes, huge casts! And everyone would be paid living wages. I’ve always wanted to build a couple shows then perform them in rep for years and years. Dream casts: Judith Stein! Redbone! Dirty Martini! Jessabelle Thunder! And so many performers from Alberta and BC! We have great performers in the West!

Do you have a mantra or philosophy that defines this moment of your performance career? Has this changed over time?

I like to remind myself “I am enough”

Would you share your goals for yourself, or any advice for others in the community?

I have a goal that in the next 10 years I want to emcee at BHOF. Advice, be yourself, it sounds corny but it’s what makes you stand out and special. Authenticity is fantastic.

Ivory She/Her

When did you did join the cabaret community? What inspired you to become involved?

I started Burlesque in 2006 when I was attending College for the Performing Arts for (singing, acting and dancing) after my sister took me to a Scandelles show at Lee’s Palace in Toronto. Their radicalized, feminist performances and diverse body representation shook me to my core (in the best way) and from then on I was hooked!

What is your favourite act to perform? Why?
OR What is your favourite outfit you’ve made or show you’re part of?

oooh this is a tough one! Daddy Lessons, my signature Archery act is one of my favourites because it’s truly a show stopper! My favourite outfit has got to be my Audrey II (from Little Shop of Horrors) Costume because it’s the size of a small SUV and brings down the house!

What trend do you want to see more of?
What trend do you wish would STOP?

Trends I would love to see more of include: more representation on stages – I want to see plus sized cabaret, BIPOC cabaret, Disabled cabaret, Trans cabaret, Queer cabaret. I want to see all of us living our best lives and earning a sustainable living as performers. I wish the trend of underpayment and underfunding in burlesque and cabaret would end. Producers and performers shouldn’t have to keep circulating the same $20 from local show to local show just to keep the scene alive – the entertainment scene in Canada has welcomed Drag with open arms (as so it should!) and rates and opportunities for drag performers have skyrocketed as a result . Likewise, Burlesque should be recognized and paid as a legitimate performing art- both by granting bodies and by the venues, booking agents and larger funding sources. Artists should be able to build sustainable, well-paying careers with access to health benefits, rather than constantly scraping by.

Can you describe a moment that challenged you as a performer?

For me, maintaining a career as a performer for the past 20+ years has been challenging – it’s part of the reason I diversified my artistry (as a singer, model, actor, dancer, firebreather, target shooter, host and body positive advocate) – in order to provide me with the most opportunity to pursue this dream full time

Have you ever dealt with burn out? How did you manage it?

Ha! As a multidisciplinary performer who is constantly spinning plates, I deal with burnout near constantly – I find it’s a cycle for me, between wanting to create, produce, perform and stay busy, and needing to step back ,reflect, rest, reset and recharge. I just do my best to listen to my body (and my heart) and build in time for rest during times of heightened output, so that I minimize the burnout (and its after effects) as much as possible.

From where do you draw inspiration to create new art?

Oh man! From Music, from world events, from pop culture, from the divine…inspiration strikes me everywhere I look!

Did you ever consider an alternative stage name? What was it? Who would that person have been?

Not in the Slightest. Been Ivory for everything I’ve done for 23 years plus and my name is as much a part of me at this point, as the air that I breathe

If you could learn one new performance skill what would it be?

Oh boy! I’m always looking to pick up new tricks! I’m currently training myself (and my horses) to do mounted archery – I’m also learning roping (but that’s being hindered by a torn shoulder from a car accident where a drunk driver hit me) annnnd I would love to take up the banjo at some point, or the harp, or the pennywhistle….I’m serious. I wanna learn ALL THE THINGS!!!!! LOL

What is your DREAM SHOW? Money is no object.
Who is your DREAM CAST? (dead or alive)

Ooooh thats hard. Ummm….honestly right now my dream is to see the Toronto Burlesque Festival hosted at Toronto’s legendary Elgin Wintergarden Theatre – it historically had burlesque and Vaudeville until 1929 and then shut down, and that history has largely been forgotten. It’s one of my biggest dreams to see (and perform) burlesque returned to that stage with a starstudded case. My dream cast?? All of the fabulous folx working independently in Burlesque across Canada and the US, but being paid at rates in line with the top entertainment acts in the world? Be still my heart!!!!!!

Do you have a mantra or philosophy that defines this moment of your performance career? Has this changed over time?

Destiny is not a matter of chance but a matter of CHOICE. (This has been my mantra for ever 20 years) / SLEEP WHEN YUH DEAD!! (thats another longtime favourite of mine)/ RIDE IT TIL THE WHEELS FALL OFF (another long time favourite)

Would you share your goals for yourself, or any advice for others in the community?

Goals for myself – keep pushing, keep dreaming, keep climibing, and remember – if you have to climb a mountain, you can chose to grumble the whole way to the top, or you can choose to sing. I choose to sing.

September 2025: Monday Blues & King Neptune

King Neptune (He/Him)

When did you did join the cabaret community? What inspired you to become involved?

My drag journey began in the summer of 2011. I was a small town kid looking for a way to make stronger connections with the queer community in Calgary after moving to the city a year earlier and I stumbled across my first drag show. There was a stripping contest that night, which I thankfully didn’t have the inhibitions to refuse participation in, and my chest-binding, lip-syncing, dancing ass won the cash prize and the attention of a local drag producer. The next month I found myself competing in an amateur drag competition and performing has had it’s hooks in me ever since.

What is your favourite act to perform? Why?
OR What is your favourite outfit you’ve made or show you’re part of?

I love getting to perform classic rock numbers or some of the Macklemore numbers that I’ve done as I find they have a fun, cocky energy to them that resonates with my character and dance style. I’m also really proud of the two split drag looks I’ve built for myself as I rarely dabble in femme drag and it can be exciting to challenge myself with different movement styles and make-up. As for a favorite outfit, truly anything rhinestoned by my fabulous partner, Friday Stoner, as they do incredible work and always make me feel on top of the world when I’m wearing something they designed.

What trend do you want to see more of?
What trend do you wish would STOP?

DRAG KINGS! DRAG KINGS! DRAG KINGS! I’ve been performing for over 14 years now and at nearly every show I’m a part of I have someone from the audience approach me to let me know that I was their first Drag King experience, and although I’m always flattered to be someone’s first, I want to see the culture shift to where audiences crave and demand the beautiful diversity that comes from hiring Kings, Things, and Monarchs, alongside our Queens.
Can you describe a moment that challenged you as a performer?
Back in 2011, after winning the amateur drag competition the month prior, my second performance ever was on the Calgary Pride Mainstage. My nerves were running high as I was about to perform for the largest crowd I had ever been in front of when the performer before me, local legend Argentina Hailey, took to the stage with a huge round of applause. She starts her number and the color drained from my face as I realized she was performing the same song I had submitted. As a brand new performer I had only 3 minutes to have an anxiety attack, re-gain control of my nerves, run to the DJ booth to get them to load up a new song for me, and then take to the stage with the confidence of someone who has been rehearsing their number for months. It was a great lesson in being flexible and going with the flow under immense pressure and I was really proud of myself for not letting that situation take away from an important milestone in my drag career.

Have you ever dealt with burn out? How did you manage it?

It’s 2025! Are there artists out there who aren’t feeling at least a little burnt out? In my 14 years of performing, I’ve been through many cycles of burn out and it can sometimes feel like a constant battle to find your equilibrium again. I’m grateful that my passion for drag and for performing has never wavered. There have been times that I‘ve needed to take a step back from performing due to personal losses and life stress, and even times when the world has forced us all to slow down, such as in 2020 when covid shut down much of the live entertainment industry, but I’ve always found myself back on a stage. I’m also blessed with two of the sweetest dogs on earth who remind me to touch the grass and slow down in life as well as an extremely supportive partner that pushes me when I need a push, and holds me when the world becomes overwhelming. It’s okay to slow down and remind yourself why you’re doing what you’re doing so you can get back to the root happiness of performing and being in community with your friends and peers. Spend time with people you love, lean into gratitude, and you’ll find your way out of the haze.

From where do you draw inspiration to create new art?

I love a good challenge or show theme to ponder as I create a new look or act. When I’m asked to be a part of a show that focuses on a theme it makes me think outside the box and it gives me a reason to create a look I may have been thinking about for years. It’s sometimes hard for me to feel motivated to create a look if I don’t have a show planned to debut it for, so when producers ask me to be a part of their themed shows it’s great fuel for my creativity. I also gain so much inspiration by watching other people perform, so I try to get out to a variety of different shows to soak in some of the passion that comes through from each performer.

If you could learn one new performance skill what would it be?

I would love to grow my skills when it comes to making my own costuming. I’ve played around with items and altered things here and there but I’d like to challenge my skills and work on building some full pieces from scratch. It can be hard to find unique and flashy drag looks when you’re the size of a 14 year old boy, so one day I’d like to be able to take the costuming ideas from my head and bring them to reality.

 

Do you have a mantra or philosophy that defines this moment of your performance career? Has this changed over time?

I feel like I’m in my “Dad Era”. I have experienced so much personal fulfillment from adopting drag kids and being a trusted person in the community for less experienced performers to come to when seeking advice. I think community building is vital for drag to continue to thrive as an artform and if I can help someone, whether personally or professionally, I see it as an act of resistance against a culture that teaches us that we need to compete with one another to succeed rather than helping each other up to the top.

Would you share your goals for yourself, or any advice for others in the community?

One of my main goals over the coming years is to continue growing my dog-inclusive drag show, Sit. Stay, Slay! I love the wholesome chaos of the show and I’ve been focusing on expanding into new towns and cities across Alberta as well as growing partnerships with more local businesses and venues here in Calgary. I love dogs, I love drag, and my advice to others in the community would be to hone in on something unique that you’re passionate about and find the communities that lift you up and support what you stand for.

Monday Blues (she/they)

When did you did join the cabaret community? What inspired you to become involved?

I started in 2011 after seeing Sweet Soul Burlesque at Shambhala, and then being inspired at Burning Man later that year. I just wanted to have an art form to share with the world. I stuck around because there was a stark lack of representation in Western Canada, and I knew it was important for folks to see people who looked like them on stage. I was determined to be that person for a while.

What is your favourite act to perform? Why?
OR What is your favourite outfit you’ve made or show you’re part of?

My favourite burlesque costume is ‘Mama Rain.’ I feel otherworldly when I’m wearing it. It’s mostly comprised of gifted pieces, and/or ones I’ve bought from people I hold dear, like Scarlet Delirium, Betty Galore Corsetry, Darah, and Ariel Helvetica. It’s a mix of traditional pieces, like beadwork and moccasins, with neo burlesque pieces. It’s a super personal act, so I love getting to be that character when time permits. Also, it’s ridiculously comfy.

What trend do you want to see more of?
What trend do you wish would STOP?

MORE PLEASE – I love seeing cultural interpretations from folks (of that culture). It’s a really beautiful medium to see translated so vastly.

Can you describe a moment that challenged you as a performer?

Does my entire career count? Being a Black/Native, Plus-sized/Fat/Larger Bodied performer means I’ve always fought against racism, fatphobia, and colonial ideals. That challenge is constant and exhausting.

Have you ever dealt with burn out? How did you manage it?

Yes, I am currently managing burn out. Most recently it was due to unchecked emotional labour. I’ve had to dial it back quite a bit and put some serious boundaries in place.

From where do you draw inspiration to create new art?

Most recently my inspiration has come from cultural learning.

Did you ever consider an alternative stage name? What was it? Who would that person have been?

I was almost ‘Monday Blue’. I imagine she would have been a soloist 😉

If you could learn one new performance skill what would it be?

Probably how to wear super high stilettos.

What is your DREAM SHOW? Money is no object.
Who is your DREAM CAST? (dead or alive)

Virago Nation’s new show (coming 2026)

Do you have a mantra or philosophy that defines this moment of your performance career? Has this changed over time?

It’s definitely changed. I used to be fuelled by sticking it to the system. Now, I’m focused on art for the joy of art. Switching from being career-driven to treating it as a practice has allowed me to find the joy in the art and focus on the stuff that really matters to me.

Would you share your goals for yourself, or any advice for others in the community?

Right now, my goal is to prioritize my own joy and reconnect with my physical self. My advice for others is to help safeguard the deep, genuine heart of this community. That’s a legacy we should grow and protect.

August 2025: Idle Hands Costuming & Irma Gerd

 

Idle Hands Costuming (she/her)

When did you did join the cabaret community? What inspired you to become involved?

burlesque scene I joined circa 2005 wanting to create costumes for stage for both soloists and groups.

What is your favourite outfit you’ve made or show you’re part of?

I made a Leigh bowery inspired all-over patterned floral outfit for Karla Marx. Also any billowy robe or peignoir are my favorites!

What trend do you want to see more of?
What trend do you wish would STOP?

I love mash up of comedy and political/dark themes. If it doesn’t resonate, I don’t go to the show so there isn’t any trend I would like to see less of cus they might resonate for someone else. I don’t like when shows don’t start on time but c’est la vie!

Can you describe a moment that challenged you?

As a costumer – anything tear away on body-con stretch! It’s not easily done.

Have you ever dealt with burn out? How did you manage it?

With costuming rarely – if anything sometimes the technical challenges of a desired outcome require me to pause and take a LONG break from it.

From where do you draw inspiration to create new art?

Haute Couture Runway Shows. Reading fiction and non-fiction

Did you ever consider an alternative stage name?

— I had a stage name when I was kittening! shhhhhhh. Cherry Valance

If you could learn one new performance skill what would it be?

costuming – more on the techniques of quick reveals.

What is your DREAM SHOW?

my dream is to do costuming/wardrobe full time

Do you have a mantra or philosophy that defines this moment of your performance career? Has this changed over time?

Yes. “step back and think about how far the costume will be from audience – so chill out about perfection!

Would you share your goals for yourself, or any advice for others in the community?

learn from mistakes! try and try again. Practice techniques even if you don’t have a project/show.

Irma Gerd (she/her)

When did you did join the cabaret community? What inspired you to become involved?

I’ve been in the drag realm of performance since 2012, but I come from a family that mixes drag, cabaret and a heaping dash of filth to the mix. My mother, Judy Virago, showed me that performing in drag isn’t just dancing, but also can be funny, political, and stupid all at the same time. It’s also not just what you do on stage, but a character you can embody while mingling in the audience or even on the sidewalk when you’ve got no drag on at all.

What is your favourite act to perform? Why?
OR What is your favourite outfit you’ve made or show you’re part of?

I’m very proud of what I did on Drag Race, and all the outfits we put together with very limited fabric supplies here in Newfoundland. I’m proud to be the Queen of the East Coast and the first represented on the show. But the shows I’m most proud of are the ones I write and perform with my drag family, The Phlegm Fatales. They are wild and irreverent and political and sassy, they make people laugh and cry and dream. One of my favourites was called The Labourinth; a Halloween haunted house but instead of garbage bags and zombies we made a maze of office cubicles and filled it with tired bureaucrats forcing you to fill out paperwork and find the right place to drop it off. The installation was a terrifying view of capitalism and wasted opportunity, while also secretly showing people how much red tape must be cut through for trans people to change their names or gender markers.

What trend do you want to see more of?
What trend do you wish would STOP?

I think high heels are just a fad and they’ve had their day. Say goodbye to sexy calves and hello to: a singular wheel. Yes a wheel, just like Rosie the Robot. This is the way of the future, and yes this is because my feet hurt.

Can you describe a moment that challenged you as a performer?

When I went on Drag Race I thought people wanted to see more of The Dancing Diva™, which is something that I am not and will never be. I tried to fit myself into a box and in the process I momentarily forgot that drag is supposed to be fun and big and expressive. Drag doesn’t belong in a box, just a suitcase with wheels carried by a stronger hotter person who wants to make out with me. It took some time and work, but I’ve come back to remembering why I do drag, and baby I’m having fun. 🤩

Have you ever dealt with burn out? How did you manage it?

Oh, I’m always trying to mange burnout. I work my day job and then I have to put on the wig and the heels and the lashes and the earrr and take the train to the club??? It can feel like a lot of work. But I find having a little silly side quest can help me remember that drag is fun. A couple weeks ago I did a show for St John’s Pride (where I met Karla Marx and Bitch Sassidy) and I walked my ps5 controller around on a leash and told people it was my boyfriend. Or another time I made it my mission to convince as many people at the party that the song Paralyzer was a U2 cover. The truth is, performing IS work, but you have to find silly little ways to remind yourself that the work is really fun and also you have free will and can do whatever you want.

From where do you draw inspiration to create new art?

I feel very blessed to be the certain brand of crazy where I can reach into the ether and pull out random things. I am always looking at every piece of media or conversation with a lens of “what can I make out of this”. It’s not really something I turn on or off, it’s just always there. I like to channel this to tell queer stories that I haven’t seen told before, but I also love to make them somewhat accessible to people who may not otherwise encounter them. It’s a fun challenge to write thing with double meanings for people in the know, while not letting the str8’s know they’re being left out of a joke

Did you ever consider an alternative stage name? What was it? Who would that person have been?

I have always thought Sleep Apnea would be a lovely name for a baby girl!

If you could learn one new performance skill what would it be?

This is a funny question, because I CAN learn a new performance skill. I can do anything I want, and that’s just a bit overwhelming sometimes. I wish I was a bit better ant learning group choreo, I wish I was a bit faster at sewing, and I wish I had a billion million dollars to learn how to eat fire while pogo jumping on a surfboard. But sometimes real comedy comes from the illusion of knowing what I’m doing. Like how funny would it be to see me try to do all that with zero training? That’s what it’s like watching me improvise on stage.

What is your DREAM SHOW? Money is no object.
Who is your DREAM CAST? (dead or alive)

I would love to do a one woman version of Phantom of the Opera but everyone has a thick cockney accent. But again I’m not really answering your question because I already get to perform with my dream cast. The Phlegm Fatales are an all nonbinary group of weirdos who live on a desolate rock in the Atlantic, each of whom possess so many varied skills. I don’t have to learn how to do aerials because I’ll just get Backslash Garbagefile to do it. I don’t have to to Choreo because Madame Daddy has that in the bag. I write jokes, but Liezel Hues punches them up to be so funny and quotable. And then Eda Kumquat is so electric on stage that we have to redirect Newfoundland Hydro so the power grid doesn’t blow up. I love this group of people and yes I could say some famous people, but once you curate a dream team- it’s hard to think of anything else!

Do you have a mantra or philosophy that defines this moment of your performance career? Has this changed over time?

If you’re not having fun, you’re not doing drag!!

Would you share your goals for yourself, or any advice for others in the community?

Getting on TV was the goal for a while and then I got what I wanted, and then struggled with finding goals beyond that. So I’m in my no ambition era. It sometimes feels like when you beat a video game and then you can just fuck around and do whatever you want for as long as you want. I’m sure at some point I’ll start working on a new Phlegm Show and try to get something on film, but right now I’m easy breezy and enjoying life. But when that creative spark gets lit next- watch out, cuz it will spread fast 😉

July 2025: Baron von Boom & Simma Downe

 

Simma Downe (she/her)

When did you did join the cabaret community? What inspired you to become involved?

I started Drag in Halifax in 2016. Just a few months before I started I saw my first drag show and I was inspired by the power, strength and irreverence that the performers had I knew I wanted to do that too. The drag, burlesque and cabaret scene in Halifax has always been super intertwined and I brought that same connection to Fort McMurray when establishing the Drag Scene there.

What is your favourite act to perform? Why?
OR What is your favourite outfit you’ve made or show you’re part of?

My favourite act is Praying by Kesha, it might be a park n bark, but I include some very personal visual and get to tell an important part of my personal story. I love how I can connect with the audience in such a personal way.

What trend do you want to see more of?
What trend do you wish would STOP?

We need more diversity in casts. Less flat human hair wigs and all white cis casts!

Can you describe a moment that challenged you as a performer?

As a producer I’ve had to have some hard conversations with performers, including conversations about racism, and consent. But I’ve always ensured that my shows are safe and inclusive for all audiences and that has meant cutting ties with performers that are accountable.

Have you ever dealt with burn out? How did you manage it?

I’m the top of person who thrives being busy to an almost overwhelming level so on the rare occasion I have experienced burnout, it takes a long time to recover. I basically go through a hard reset and shut down for a couple weeks to let me social battery recharge.

From where do you draw inspiration to create new art?

I’m always keeping up with new pop culture but what I love the most is reflecting on the classics and legendary references. I love to take a classic or an obscure reference and build a number around it.

Did you ever consider an alternative stage name? What was it? Who would that person have been?

While preparing for my first time in drag I was thinking about food/spice related names like Ginger or Cinnamon. My original thought for a drag persona was very stepford wife. I’m very glad I didn’t stick with those original ideas.

If you could learn one new performance skill what would it be?

I would love to be able to do a split.

What is your DREAM SHOW? Money is no object.
Who is your DREAM CAST? (dead or alive)

I have drag family all across the country. I would love to bring everyone together for one amazing giant show.

Do you have a mantra or philosophy that defines this moment of your performance career? Has this changed over time?

My mantra has been to be myself, not compare myself to others and to not be afraid to blaze new trails.

Would you share your goals for yourself, or any advice for others in the community?

My biggest advice for others is to be authentic, and to put in time and effort into everything you do. Work on new skills, constantly improve costumes, keep making new acts. Basically just don’t become stagnant or passive in your craft.

Baron von Boom (he/him)

What is your role in the performance arts community? Has it changed over time?

My role has changed a fair bit from where I started. In the beginning I was more of a roadie who helped out my old roomate’s troop, the Jewel Box. From there I worked the door for Daisy DeVille for a couple of years before she asked me to host my first show in 2011 and it has been off to the races from there. I see myself as burlesque’s biggest cheerleader and I typically do that through hosting and producing shows that highlight the amazing performers in the community.

 

What is the wildest venue you’ve performed or produced at?

I would say probably a small church in Salmo, BC during the Queen City Burlesque Expo. We moved the altar and pulpit out of the way to make space for all the performances and the crowd sat in the pews. It was quite the experience, and I am sure that it was the first time that performers in pasties, thongs, 6 inch pleasers with horns or high heeled hoofs pranced across that “stage”.

 

What trend do you want to see more of?

For me, I love seeing other performers and producers gassing up their friends and other performers in the community. This can be through going out to each other’s shows when you can and cheering everyone on or simply amplifying others on social media. It is still amazing how after all this time, so many people still have no idea there is burlesque and drag in this city and province. If someone is out at your show and enjoys themselves, tell them about some of the other amazing shows going on that they should check out. That support and kindness is a circle that comes back around too.

 

Can you describe a moment that challenged you in this community?

I would say seeing conflict in the community is challenging but more specifically I would say the most challenging time for me was the events leading up to the dissolution of the Calgary International Burlesque Festival. We are all human beings with human emotions and sometimes that means we all have differences in opinions and respond to things differently than others would or how others would want you to. Regardless of what happened, there were a lot of raw emotions, and I think the community needed a bit a break to be able to rebuild.

What was helpful for me was being a part of the community working groups that were held afterwards to listen to the community members about their thoughts and feelings on how to move forward. There was a lot of consultation and discussions with the entire community and while it took some time, I believe that addressing the issues was important and helpful for the community. Being part of the Calgary performance community is constantly about learning, growing and managing relationships.

It is important to know that we are all human. That may mean that we might not always be best friends and go out for drinks with each other, but we are all here together and we all want to bring the best performance art to the stage in the city. If we are professional and treat each other with respect and honestly, I think we are all in a much better space.

 

Have you ever dealt with burn out? How did you manage it?

Absolutely. It happens a lot to be honest. Between work, performing and attending shows, burnout is real. I find the best way that works for me is to unplug. I can be a bit of a homebody and sometimes I just need to be a hobbit in a dark quiet place and relax to recharge my batteries. A little bit of time away can be helpful to focus on you and your well being before you reengage with everything.

 

From where do you draw inspiration? Do you have a mantra or philosophy?

My mantra has developed into my catch phrase and it is what really defines how I want to move through this glitterverse of life. I try to focus on being “the biggest cheerleader in burlesque”. As a host, producer or audience member, I try to be that in everything I do. I want my energy and excitement to show the audience that it is ok to have a good time and enjoy themselves. The more fun that the audience has, the more fun the performers have as well and all of that makes for a stellar show for everyone!

I am inspired by other hosts and love watching them work their magic on stage. From Karla Marx, Bitch Sassidy, LeTabby Lexington, Delta Daggers, Foxy Tann, Tito Bonito, Besty Bottom Dollar, Belle Jumelle, to Samson Night. While their styles are all different, they have the ability to guide the audience on a magical journey and leave them feeling energized and excited for what is to come!

 

If you could learn one new performance skill what would it be?

I think it would be really cool to learn how to sing but I was not born with a musical gene in my body and no matter how many COVID shots I get, it is still not changing my DNA enough to give me that superpower. 😊

 

Would you share any advice for others in the community? Is your advice different for those starting out vs those who are established?

For those that are starting out, the best thing I could offer is to put yourself out there. Go to as many shows and meet as many people as you can. A big part of the community is networking and letting people know who you are. Take classes, start an IG performer profile, send a message to local producers letting them know what you are into and that you are interested in helping out with one of their shows. I got my start being a roadie and working the doors at shows and that is how I met so many amazing people and built those relationships. Also there are so many dance schools and classes in town from swing, jazz, hip hop, salsa, etc and all these skills are relevant to burlesque and drag that could give you that added flavour to your performances.

My advice would be the same for established performers as well. Reach out to other producers and let them know that you would love to help or even be a part of one of their upcoming shows. There may not always be space for the next show but reaching out puts your name in their minds for possible future shows.

What is your favourite show that you’re been a part of?

I have been lucky enough to have been in a lot of stellar shows with amazing casts but I would say the top ones for me so far are being able to host Big Band Burlesque, GoGo Battles, Blue Milk, Summit of Sin, Queen City Burlesque Expo and the Kootenay Burlesque Festival.

Did you ever consider an alternative stage name? What was it?

Over the years I have changed my stage name a couple of times. While I was involved in the community for a number of years before I met my partner, she actually had her stage name before I did as I was not on stage. When she chose her name Kara Ka-Pow!, I wanted to have something along those lines as a fellow nerd. I felt that Boom went well with Ka-Pow! so that was where I started. The very first time I did a show, I tried out “Big Bada Boom” but that only lasted the one show.

From there I drew further inspiration from comics and while Kara was based on two people (Starbuck and Supergirl), I always had a fascination with Superman growing up so I did a bit of a spin on his name. Instead of Kal El, I went with Dev El and added Boom to it. I used that name for a number of years but most people found it too confusing and kept introducing me as the Devil Boom so I felt that one last change was in order.

About 8 years ago now, I adopted the name that I currently have “Baron von Boom” and it has stuck ever since.

What are some of your goals that you have or things that you would like to achieve in the future?

My burlesque hosting goals are twofold. While I would really like to up my hosting game and expand my horizons by being able to host shows or festivals in other cities across the country, I would also like to help create more spaces for others that are coming behind me.

One of my proudest moments was to be able to bring Big Band Burlesque to a new theatre in Arts Commons in Calgary and being able to share that stage and co-host with my kid, Dare Reaire. While they are a kick ass performer in their own right, they are really becoming a natural with a microphone! One day I look forward to being able to retire knowing that they are going to grow things to be bigger and better than I ever could!

June 2025: Jaylene Tyme & Prairi Cherri

Jaylene Tyme (she/her Two Spirit)

When did you did join the cabaret community? What inspired you to become involved?

33 years ago. Bead, feathers, music and the mysterious drama

What is your favourite act to perform? Why?
OR What is your favourite outfit you’ve made or show you’re part of?

Love to to perform my Dolly tribute. It brings a special joyful energy to the audience

What trend do you want to see more of?
What trend do you wish would STOP?

More diversity, all ages and styles. Stop jumping onto the knees!(ouch!)

Can you describe a moment that challenged you as a performer?

Any group choreo! I take a little longer to remember certain moves. But when I do, they’re locked in.

Have you ever dealt with burn out? How did you manage it?

Not yet!

From where do you draw inspiration to create new art?

From music and fashion. I love to create “moments” There’s something really beautiful in stage presence.

Did you ever consider an alternative stage name? What was it? Who would that person have been?

Fabulosa ( for like a day!) I felt like my name was not exciting or dramatic enough, but then realized everybody already knew me at that name so it would be a little bit awkward. So Jaylene has been the OG name that has kept on.

If you could learn one new performance skill what would it be?

Doing the splits

What is your DREAM SHOW? Money is no object.
Who is your DREAM CAST? (dead or alive)

An international legends Cabaret featuring celebrity Drag tribute artists. The best of the best!

Do you have a mantra or philosophy that defines this moment of your performance career? Has this changed over time?

The power inside of you is to be you. The only limit of what you can achieve as an artist is your imagination.!
Would you share your goals for yourself, or any advice for others in the community?
Keep learning, keep exploring, love on yourself and others truly. Repeat daily and watch your life change.

Prairi Cherri (she/her)

When did you did join the cabaret community? What inspired you to become involved?

I joined the Cabaret Community originally in an Indigenous women’s burlesque troupe ‘Haute Natives’ in 2018. In the winter season of Covid, I made my debut as a soloist in the Cabaret Company production ‘Laundry Day’. I attended a ladies fitness class burlesquercise and thought well this is fun and ‘cute’ but I when are we gonna wear pasties. I started to do research into burlesque, its history and deep origins, around women’s empowerment. This was the basis for my start, and then I was diagnosed with breast cancer. While I went through this, I still attended burlesque classes to keep me motivated and to focus on other things besides what I was enduring. I say now that burlesque saved my life. It gave me passion, inspiration and a reason to create art that was meaningful to me.

What is your favourite act to perform? Why?
OR What is your favourite outfit you’ve made or show you’re part of?

My favourite act of all time is my Lizzo – Tempo routine. It’s high energy and fun. It celebrates the thickness and sexiness of bodies. When I first heard the song, I knew that I wanted to do a 90’s inspired hip hop look, so I styled a worker jumpsuit, added some graffiti elements, and rhinestones. And the best part is the tear away reveal. I have so much fun performing this routine.

What trend do you want to see more of?

What trend do you wish would STOP?

The trend I want to see more of is I’d love to see more of everything!! I love individuality, so I’m so excited to see trends that empower people to be who they are. The trend I wish would stop would be the thought that all burlesque performers have to be the same classic look. We’re all unique and that should be celebrated.

Can you describe a moment that challenged you as a performer?

I was performing to a song that had no lyrics and I had practiced the routine many times, but the day I was performing I had mad anxiety, as I was taking the stage with a whole group of seasoned performers. As I was performing I heard my cue note to move into the end of the routine with getting ready to remove my bra, but soon realized I had like over a minute of song left. So I had to improvise. I twirled my pasties. Sometimes in the moment something may go wrong, but just gotta push through and give it all you got anyways! Also, cuz no one knows that you messed up.

Have you ever dealt with burn out? How did you manage it?

I do get burnt out as a human. I like to spend time in nature, to reconnect my spirit to the land.

From where do you draw inspiration to create new art?

My inspiration to create new art comes firstly from listening to music. I will feel inspired by a song, or I can actually see a routine come to life in my head when I hear certain songs. I also get inspired for costuming from learning from places like Tips on Tap, and Bealissima’s IG, as she’s always creating new and cool stuff.

Did you ever consider an alternative stage name? What was it? Who would that person have been?

When I was trying to choose my stage name I had a list of different names. I wanted it to represent me but also where I’m from. I was almost LumberSnatch. That person would’ve been wearing lots of plaid and sawing logs lol.

If you could learn one new performance skill what would it be?

I’d love to learn fans.

What is your DREAM SHOW? Money is no object.
Who is your DREAM CAST? (dead or alive)

I think it’s most burlesque performers dream to perform on the stage at BHOF. At this point I’m dreaming of being part of ANY festival. My dream cast would be filled with a wide array of different styles of burlesque performers. I’d die to perform with Lou Lou la Duchesse de Riere, alongside with Virago Nation and Indigibabes Burlesque. And to throw in someone from the other side, Josephine Baker.

Do you have a mantra or philosophy that defines this moment of your performance career? Has this changed over time?

Create art that is fun and sexy. Be open to opportunity. My early stages I was consumed with thinking that I needed practically a new act for each show. But, I have learned that it’s good to find the acts that move your soul, and work on refining the act.
Would you share your goals for yourself, or any advice for others in the community?
One of my goals is to perform away from my hometown at a burlesque festival. To be better performer, that takes the time to practice, and not make last minute outfits. As for advice I would say, do what makes you feel good. Wear what makes you feel sexy. Create a routine that empowers you. And when you create from a space of love, for yourself, it comes out better through your art.

May 2025: DJ Greycell & Leah Scheitel

DJ Greycell (he/him)

What is your role in the performance arts community? Has it changed over time?

I started DJing at The Warehouse Nightclub in 1998. I went on to buy the venue in 2000 and ran it until it closed in 2010. I also purchased Dickens in 2008 and will have been running it for 17 years on May 1. Although the main job at both places has always been the operational side of things, I’ve always maintained my DJ nights over the years, and I think it’s fair to say it’s my one true love when it comes to the nightclub business.

What trend do you want to see more of?
What trend do you wish would STOP?

Recently, we’ve seen a surge in the number of new, young people coming out for our dance party nights, particularly Hang The DJ. It’s particularly rewarding for a few reasons. Firstly, it’s nice to see young people discovering and enjoying the classic alternative tracks of years past. I grew up with a lot of these songs as did many other customers who are dancing and reliving their youth while a ton of other new young music fans are enjoying these songs in the present. It’s very rewarding. Additionally, I know how incredibly hard it can be when you’re young and all your friends are only interested in mainstream entertainment. When I first discovered The Warehouse and the alternative culture that was out there, I never looked back because I knew there were more people and events out there that spoke to me. I’ve seen this quite a few times recently with our new younger patrons and watching them make friendships with each other, often telling me how much being able to go to Dickens and find like-minded people has meant to them is honestly heart warming. I totally understand where they’re coming from. Lastly, we’ve reached a stage with some of our customers where their own kids are now turning 18 and they’ve been bringing their kids out to experience the alternative nightlife their parents grew up with. It’s a sort of “passing of the torch” experience and I love to see it. There are trends that I find frustrating, but I acknowledge some of that may just come with getting older and not being able to relate to things the same way anymore so I’ll keep those to myself.

Can you describe a moment that challenged you in this community?

The single biggest challenge would certainly be the pandemic. Keeping the business going during that period firstly through extensive DJ streaming gatherings on Twitch led to all kinds of new bonds and friendships that might not have happened otherwise. As the gradual opening period began, we had to enforce fully seated events with performers on stage behind a full floor to ceiling Plexiglass screen. It was strange and stressful yet also filled with hope for a return to normality. We were at the forefront of the discussion about adhering to health regulations and while we did receive enormous support in general, we had to deal with a very vocal minority of detractors, and it was exceedingly difficult to navigate. It took nearly a year after re-opening before things really started to look somewhat positive financially. It was an incredibly hard few years.

From where do you draw inspiration? Do you have a mantra or philosophy?

Honestly, I want people to have fun. I want them to feel like they’re seeing something they wouldn’t see anywhere else. I want them to feel like they’re having an experience they’ll remember forever. I want them to find their community at Dickens and feel like they’re coming home every time they walk through the doors. I want it to seem like you never know for sure what’s going to happen at Dickens but it will be a good night out regardless.

Is there a style of performance or role in the arts community you are interested in? Is there one you would NEVER do?

Stand up comedy looks like approximately the scariest thing to ever attempt, and I would NEVER do it.

If you could learn one new performance skill what would it be?

Strictly from a DJ perspective, I’d like to learn how to scratch and I’d like to learn how to make remixes. I’m obsessed with the classic 12″ remixes of the 80s and 90s and I would greatly enjoy knowing how to make them myself. And scratching is just cool.

What is your DREAM SHOW? Money is no object.
Who is your DREAM CAST? (dead or alive)

I would definitely put on a music festival of mostly UK artists from the 90s. That’s where almost all my favourite bands can be found. I realize this likely won’t really speak to your readers but that’s where my heart is. It wouldn’t be something unreasonably massive. It would make me extremely proud to be able to pull it off at Dickens. My DJ name, Greycell, comes from the name of a single from my favourite band, Ned’s Atomic Dustbin, so they would get top billing.

What do you believe defines you in this community?

Because I’ve been a part of the nightlife community in Calgary for 27 years at this point, I’ve met people and made friends in so many different scenes that I feel I have some degree of connection to almost anything going on. I think it’s helpful for people producing events at Dickens that I can relate to varying degrees with what they’re trying to achieve. That said, I’m always happy to be introduced to new things and I’d like to think that translates with the way Dickens operates. I hope people will see that I’ve done my best to make Dickens as much for everybody as I can, and I know that work will never stop. We’re the “Island of Misfit Toys” and we wouldn’t have it any other way.

Would you share any advice for others in the community? Is your advice different for those starting out vs those who are established?

I’ve always said that it’s important to know what you don’t know. By that, I mean you need to acknowledge you can’t possibly know everything and it’s always best to be aware of your own blind spots. There are some things I’m good at and some things I’m either not good at or simply don’t care about. Surround yourself with people who can fill in the gaps and help raise the effort up as a whole. Don’t try to take on more than you can manage. A group of people with diverse skills can take you all far. Your own pursuits (and I include myself in this), may not be the most lucrative but if they make you happy and give you a sense of fulfilment, I assure you, there’s a value there that some people in dead end jobs would give anything to experience.

Leah Scheitel – She/Her

When did you did join the cabaret community? What inspired you to become involved?

I believe it was Banff Pride in 2021? There were definitely masks on stage. CabCo is a great community of artist creating art for and by queer people, but also for anyone who enjoys comedy, burlesque and really cool art!

What is your favourite show you’re part of?

I love performing at Laugh Loft at the Attic on Sunday evenings. Such a good audience and it features comics that may not get on stage at a traditional comedy club.

What trend do you want to see more of?
What trend do you wish would STOP?

Would love to see more trans comedians talking about their experiences in the world and their transition – as one trans comic put it, “my second puberty”. Want to BAN pronoun jokes of any kind. My pronouns are “its/not/funny”

Can you describe a moment that challenged you as a performer?

I’m challenged every time I interact with the audience. Mostly I have a deep fear of being heckled, as it’s a moment you dont have full control over on stage.
Have you ever dealt with burn out? How did you manage it?
Oh yes, burn out is real. I try to rest – sleep and food. And if you can, vacations are great. I also try to enjoy the art and creativity of others to ignite some kind of inspiration.

From where do you draw inspiration to create new art?

A deep need to be liked for my humour and for people to think I’m funny.

Did you ever consider an alternative stage name?

Not really, honestly. Its just me and my little stories about my life

If you could learn one new performance skill what would it be?

To be looser and at ease on stage. Also to write more diligently.

Do you have a mantra or philosophy that defines this moment of your performance career? Has this changed over time?

Just let it be fun. It hasn’t changed much. If it’s fun, it’s worth doing.

Would you share your goals for yourself, or any advice for others in the community?

I would love to keep writing and telling jokes – new and old. It’s a crazy and intense world out there and laughing really helps. It makes me feel kind, and liked I helped in a way. Advice would be to be kind. Keep it simple and kind.

April 2025: Birthday Girl & Kruella Kraken

Birthday Girl (she/her in drag)

When did you did join the cabaret community? What inspired you to become involved?

October 16th, 2021!

 

What is your favourite act to perform? Why?

OR What is your favourite outfit you’ve made or show you’re part of?

My favourite act to perform is Linda Eder’s “Bring On The Men” from Jekyll & Hyde on Broadway. I think it embodies the most perfect blend of sexy and funny/camp that Birthday Girl has come to be known for!

 

What trend do you want to see more of?

What trend do you wish would STOP?

I LOVE the trend of letting our personalities online see the raw stuff. I love seeing when performers (and people in general) are raw about the things they’re going through. I think it really helps people not only understand that performer better, but ALSO helps show their audience the person behind the performer. The trend I wish would STOP is “gathering” people when they’ve made a mistake. We’re all learning every single day and their is no need to mob folks. We’re all in this together!

 

Can you describe a moment that challenged you as a performer?

The moment I felt the most challenged was when I was told “big girls can’t do tricks and because of that, their gigs are numbered because THAT’S what audiences want. And i just don’t believe that to be true. I think tricks are great for those that can do them, but if you can’t, that’s okay too! I felt challenged to show the world that every body CAN do different things, no matter the size. And thankfully, I proved them wrong!!

 

Have you ever dealt with burn out? How did you manage it?

Yes. during the peak of my rise to the stage, I owned a business that over time was starting to fail. I was working every waking moment (when i wasn’t on stage) and then performing the rest of the time. I wasn’t taking care of myself and as such, I started to slip on the basic things. I wasn’t sleeping (although I was exhausted). I would be late for shows, not reply to emails and overall was struggling to stay afloat. Eventually, we closed the business and I started to take care of myself on the inside and eventually, I came back from it. I am incredibly thankful to my friends in our industry who supported me during that time (especially CabCo!).

 

From where do you draw inspiration to create new art?

I try to put myself in the audiences shoes. If I enjoy hearing/seeing/acting it for the first time, I know it will be a hit.

 

Did you ever consider an alternative stage name? What was it? Who would that person have been?

Initially, my stage name was Shirley Bottoms. It was hilarious in the moment, BUT I believe it would have held me back and put me in a box. If I had continued, she would have been a classic drag diva, mainly in gowns and pageantry. I’m thankful to her, but thankful I left her behind.

If you could learn one new performance skill what would it be?

I would LOVE to learn how to be sexy without the humour. I think that’s an area I struggle in because of my body size (and maybe) an internalized fear of failing.

What is your DREAM SHOW? Money is no object.

Who is your DREAM CAST? (dead or alive)

I would LOVE to do a Vegas style show. Fully produced, lights, costume changes, chorus lines. With the divas of country music. Dolly, Reba, Shania, etc.

Do you have a mantra or philosophy that defines this moment of your performance career? Has this changed over time?

My philosophy is and has always been that for those 3 minutes we are on stage, everyone in that room is on the exact same, level playing field. Status, money & connections, political beliefs don’t matter. We are all there, all equal.

Would you share your goals for yourself, or any advice for others in the community?

My goals change daily. Birthday Girl’s future is unknown, and I love that. If you’re coming up in the community and bring the box with you, you’ll always only fit inside that box. Get a new box, find a new box, trade your box, BURN your box. Every day is a new adventure, get after it!!

 

Kruella Kraken (she/her)

When did you did join the cabaret community? What inspired you to become involved?

Watching the girls live inspired me to start! I joined the industry about ten hears ago.

What is your favourite act to perform? Why?

OR What is your favourite outfit you’ve made or show you’re part of?

My favorite show i have performed is my Wednesday Addams show. I cane out of a coffin and i got to utilize my pet crow for my promo video.

What trend do you want to see more of?

What trend do you wish would STOP?

One trend i would like to see more is bigger and more intense costumes. One trend i don’t enjoy is dancing without shoes. Safety first!

Can you describe a moment that challenged you as a performer?

Every year we have a contest called stripperlympics. It is by far the most challanging thing i have done. The intensity is unmatched. 20 min shows, must be themed, aerials and a wet show. The hundreds of people screaming my name makes it worth it!

Have you ever dealt with burn out? How did you manage it?

Yes, i deal with it often as i do this job full time. I make sure to go home early when i need to and fuel my body properly. Food is fuel! Not energy drinks.

From where do you draw inspiration to create new art?

I draw inspiration from the girls i dance with. Everyone js so different an unique, theres always something to learn from each single girl

Did you ever consider an alternative stage name? What was it? Who would that person have been?

Yes i have considered kruella devine, she would be me, but classier

If you could learn one new performance skill what would it be?

I would love to re-learn juggling! It looks so fun! And a great opertunity to catch my breath

What is your DREAM SHOW? Money is no object.

Who is your DREAM CAST? (dead or alive)

My dream show would be a dark western theme with a complete skeletal horse that spins, and has fire come from its nose. My dream cast member would be dock holiday

Do you have a mantra or philosophy that defines this moment of your performance career? Has this changed over time?

My only mantra is “ITS SHOWTIME BABY”. My philosophy towards dancing is always changing but as a child i wanted to be a tattoo model and a circus performer. With this job i get both, and get paid!

Would you share your goals for yourself, or any advice for others in the community?

Goals for myself this year are to travel more as a performing artist. My advice for all in the community is to never be scared of rejection. Rejection is simply a building block to getting where you want to go!

March 2025: Judith Stein & Katra Corbeau

Judith Stein (she/her)

When did you did join the cabaret community? What inspired you to become involved?

I never considered myself to be in a cabaret community. I was a burlesque performer ie STRIPPER. Money & travel! Glittery costumes! Fun! And freeing my inner tramp

What is your favourite act to perform? Why?

I have three favourite acts, well actually they were all favourite acts or I wouldn’t have done them. If they were marketable, and those acts suited my type of burlesque which was some what irreverent, comedic, and cheeky

What trend do you want to see more of?

What trend do you wish would STOP?

I would like to see more TEASE, provocativeness, and fun! Stop what I call ‘Angst Burlesque’. Your audience comes to be uplifted and entertained by fun frivolity and playfulness, not a whole act about how your dog died. And as a woman, being fun frivolous onstage is a middle finger to those who would keep women in the kitchen to be their little women.

Can you describe a moment that challenged you as a performer?

In my era, I was told I would never succeed unless I had a bust enhancement. Or in some places they wanted me to be more explicit in my acts ie spreads.

Have you ever dealt with burn out? How did you manage it?

No not really because I worked contracts so I knew the length of the contract, on the road 6-8 weeks and take some time off at home. I loved being a tourist, exploring art galleries, skiing, I was a sailor, I worked on fish boats and tug boats, totally off the wall jobs. It sort of brought me down. I knew it was time to take a break when I started believing my own publicity.

From where do you draw inspiration to create new art?

I love old broadway movies. People like the Marx brothers, the women comedians of the 50s, 60s, the Joan Rivers. My music is like broadway, old jazz. And the women of the 70s feminist movement, the women who were performers.

Did you ever consider an alternative stage name? What was it? Who would that person have been?

They told me I had to choose a stage name. At the time there were a lot of small furry animals, flowers. I had to choose a name right from the beginning. In those days, most of the agents were old Jewish guys, when they asked my name I would say Judith, they would ask Judith what? I would say Judith Stein, then they’d book me for Miami haha I was Lady Jane for the first three weeks

If you could learn one new performance skill what would it be?

How to type!

What is your DREAM SHOW? Money is no object.

Who is your DREAM CAST? (dead or alive)

All the top name Las Vegas technical crew!

Do you have a mantra or philosophy that defines this moment of your performance career? Has this changed over time?

Having spent some time in recovery, before I go onstage I take a quiet moment and offer up the serenity prayer to the legends who went before me, And also, fuck em if they can’t take a joke.

Would you share your goals for yourself, or any advice for others in the community?

Advice for the community: 1. Get paid 2. Know your worth 3. Have fun 4. Don’t believe your own publicity

Katra Corbeau (she/her)

When did you did join the cabaret community? What inspired you to become involved?

I started out doing fetish performance in Calgary back in 2004. I’d always wanted to be on stage – to engage, and entice, an audience. Burlesque seemed like a natural progression as it encompassed my love of vintage glamor and eroticism, and I began including strip tease to my repretoire.

What is your favourite act to perform? Why?

OR What is your favourite outfit you’ve made or show you’re part of?

There are so many, honestly! I’m a story teller above anything, so having the opportunity to style costumes and create characters that reflect my personality and sense of expression is huge for me. I would say though, that Chandelier Club is my favorite show to be a part of. Roving long form acts let you play and just be in the moment. That’s where I shine.

What trend do you want to see more of?

What trend do you wish would STOP?

I can’t say that there’s any particular trend out there that has me feeling either way. I want artists to be true to themselves at the end of the day.

Can you describe a moment that challenged you as a performer?

Again, so many! It’s been an interesting journey to say the least. Politics within the community, my own health related issues, and finding the time to devote to my craft are the most pressing. All of these things ebb and flow.

Have you ever dealt with burn out? How did you manage it?

Absolutely. I’ve learned to listen to my body and take a break when needed. You can’t do everything all of the time (my brain often protests).

From where do you draw inspiration to create new art?

Anything from a sexy song with the right groove to mythology and pop culture.

Did you ever consider an alternative stage name? What was it? Who would that person have been?

I’ve had a few! Katra Corbeau is who they morphed into.

If you could learn one new performance skill what would it be?

More floor work! These knees though….

What is your DREAM SHOW? Money is no object.

Who is your DREAM CAST? (dead or alive)

A burlesque weekender on my acreage! There would be elaborate tents filled with delectable talent from every corner of the globe! Every headliner you could imagine would be there.

Do you have a mantra or philosophy that defines this moment of your performance career? Has this changed over time?

Sometimes you just gotta do sh*t scared is my motto. It’s mostly remained the same but I try to push myself even further now.

Would you share your goals for yourself, or any advice for others in the community?

More travel. I want to be on international stages. To the community: your art is valid. Don’t be afraid to learn, expand, and grow. Stay humble. Stay fierce.

February 2025: Faris Hytiaa & Trè da Marc

Faris Hytiaa (he/him)

When did you did join the cabaret community? What inspired you to become involved?

Am I in it? I don’t think i know what it is

What is your favourite act to perform?

Stand up

What trend do you want to see more of?

What trend do you wish would STOP?

The new crops of people coming out and showing more interesting and unique perspectives and stories is really fun. Feels like we’re seeing comedy from all over the world and all different types of people I want conservatives to stop making themselves martyrs and progressives to stop making themselves victims. All of them make comedy less fun

Can you describe a moment that challenged you as a performer?

When I started performing material about Sudan, I was bombing a lot and wondered if it would ever be worth it to keep trying. Audiences would get mad at me or sometimes just show pity when nothing I expressed was sad. It was infuriating.

Have you ever dealt with burn out? How did you manage it?

All the time. I retreat into a cocoon with my family and play video games all day for like a week.

From where do you draw inspiration to create new art?

Culture and family.

If you could learn one new performance skill what would it be?

More accents or act outs.

What is your DREAM SHOW?

Probably just me and my and a few of my friends in a big theatre.

Do you have a mantra or philosophy that defines this moment of your performance career? Has this changed over time?

Don’t ever let them see you sweat.

Would you share your goals for yourself, or any advice for others in the community?

I want to afford a two week vacation. Advice is to be honest to yourself and then be honest to your environment. Even if it’s scary, you’ll be much prouder knowing you were true to yourself in failure. Pandering means your success feels hollow and failing feels worse than anything. You can always take pride in knowing you were being yourself.

Tré Da Marc (He/Them)

When did you did join the cabaret community? What inspired you to become involved?

I started performing burlesque back in 2013 after seeing my first burlesque show which was the Minneapolis Burlesque Festival. Burlesque saved my life. It gave me an anchor for my restless soul in the sea of doubt and depression. It help me find the joy in loving myself and to push forward in this hard knock life.

What is your favourite act to perform? Why?

What is your favourite outfit you’ve made or show you’re part of?

My Sunflower African Ankara act is currently my favorite act. The song I perform to Tadow by Maesgo. The costume consists of a fur cape with foxtails and reversible yellow and blue giant Sunflower shape with matching vest and pants and giant feathers fans. The song is such a wonderful earworm that get the crowd singing along and feeling good about the self while enjoying seeing my beautiful costume sheding from my glistening glitter body and the bring out the feathers fans as a cherry on top. It reminds me the even though the sun rises and set everyday. It will continue to do so as long as it is shining brightly, not letting anything dims it light and sharing its warmth with everyone who needs their soul to feel joy.

Have you ever dealt with burn out? How did you manage it?

Burn out has been a hard challenge for me because it tend to can’t stop, won’t stop often against my better judgement. This mostly stems from wanting to create art that reach people hearts and emotions as that continues to be the fuel that keeps me going. But I also know that restvis important and my art can wait because the people who enjoy it care about me and my well-being to ready to wait and see what I will do next when I return.

January 2025: Dare Reaire & Ella Lamoureux

Dare Reaire (They/Them)

The amuse-bouche of burlesque

When did you did join the cabaret community? What inspired you to become involved?

I have been part of this incredible community since 2019, when I went to my first ever burlesque show for my 18th birthday. Being a dancer for as long as I could stand on two feet, as soon as I learned of burlesque and the world of cabaret, I knew nothing would keep me off the stage. I made my solo debut in October of 2019, starting my career as a performer perfectly mixed with my love for Halloween, and I haven’t stopped since! My mother, Kara Ka-pow!, was a true inspiration to me when it came to getting involved, and when she learned I wanted to start performing burlesque, she got me my first pair of pasties and helped get me right on stage. Once I started, the part that kept me in was the amazing people that make up this community. The love, the passion and the support are thick within the burlesque community here. They want to see you on stage, light up when you do, love you for everything you bring and, most of all, they truly want to see you glow.

What is your favourite act to perform?

My favorite act to perform is my raven queen number. Its dark and powerful, bringing in elements from classical ballet. This number was born out of a challenge to strip to classical music, so making a number about an evil raven queen falling from grace felt like a perfect fit. Not only was the music something new for me, this was the first time I made a costume from the ground up. Starting off with large reagle wings and a crown perched atop my head, the layers gradually start melting away as I move through the number. The reveals and how the costume continues to evolve makes this one of, if not my favorite act.

Can you describe a moment that challenged you as a performer?

This first time I performed for a very small crowd (maybe 10 people) was extremely challenging. Trying to keep a small crowd energetic and engaged is no small feat, but I have learned when you are able to let go a little, it can turn into some of the most fun performances. When a crowd is less reactive or small, once you start to feel comfortable in the silence it truly makes you feel more at ease on any stage. Though it was definitely a challenge it prepared me to feel way more comfortable in front of any crowd, in any setting.

Have you ever dealt with burn out? How did you manage it?

Burn out is something I deal with often, whether it be making costumes or coming up with a new number. Dealing with burn out or creative block is always challenging, and when I can I will turn on my favorite songs and just dance, just move how my body wants , no thought, no pressure, no structure. This helps me find new ways to move that I can then incorporate into my routines. Other times when the burn out becomes too much I have learned its ok to put down what I’m working on and allow myself to focus on the numbers that I already have and bring me the joy I need.

From where do you draw inspiration to create new art?

Deep emotions, architecture, animals, how fabric moves, horror movie villains.

If you could learn one new performance skill what would it be?

In a heartbeat I would learn fire eating!

Would you share your goals for yourself, or any advice for others in the community?

My big goals right now are to compete in the Imperial Burlesque Canada competition, and begin traveling as a performer. My current small scale goals are to continue improving my flow through new creative reveals, learn to truly hold a moment and finally learn how to use a sewing machine. I never want to stop learning about this beautiful art and continue learning from the people around me. Always learning from fellow artist and community members is essential. My biggest piece of advice is always remember no one knows exactly what your number is except you. The audience will never know if you “messed up”. Even if you do “mess up” you might accidentally find a more creative or exciting way to do what you originally set out to do. Learn to move through those “mistakes” and make new magic from them.

Ella Lamoureux (She/he/they)

When did you did join the cabaret community? What inspired you to become involved?

I joined the cabaret community when I first started drag a little over 15 years ago. There was no drag community when I started drag and to fill a full show we would tag up with burlesque and ever since then I’ve been hooked. So I guess the inspiration to get involved was to create bigger and better shows.

What is your favourite act to perform?

My favorite act to perform recently has been a slower number to Clown by Mariah Carey. I love the feel of the song and the R&B roots. So good.

What trend do you want to see more of?
What trend do you wish would STOP?

The trend I would love to see more of is character impersonation themed numbers. I loved seeing Shrek or Micky Mouse strip. As for trends I would like to see stop would be nothing. This is going to be a PC answer but I love watching anyone that performs that loves what they are doing. I get roped in seeing someone loving themselves and what they are doing. I love it all! And if I don’t I’ll always be able to find something I love.

Can you describe a moment that challenged you as a performer?

I do a lot of hosting so there are always those hecklers and you need to be able to quiet them but still keep the mood light and fun. It’s an art. As for a performer there as those wardrobe malfunctions that can throw a wrench in your act. I remember in my early drag days I did a number by Beyonce and my heels got stuck in the stage and came off and then my wig got caught on a certain and came off and then the buttons on my dress came undone and came off. It was a wreck of a number and I’ve never attempted another Beyonce number since.

Have you ever dealt with burn out? How did you manage it?

I have dealt with burn out and never realized it. I do 3-7 (sometimes more) shows a week and I use to drink a lot. I was hungover all the time and when I quit drinking I realized my hangovers weren’t that bad. I was just very burnt out and was pushing myself through it because I thought I was just hungover. I didn’t deserve to take a break because I drank and the hangover is my fault and the show must go on. So I would just drink more and the show would go on. Now that I no longer drink I am able to identify when I am feeling overwhelmed and I do a mental exercise of what I can control and what I cannot and focus on what I can change and leave behind everything else that I cannot. I also love a spa day! I’ll do saunas and facials and pamper myself. And then voila, a fresher me.

From where do you draw inspiration to create new art?

I draw inspiration from the amazing people in my life. I’m grateful i get to travel a lot for my act and I get to see so many different art forms and opinions and I get challenged to do more.

Did you ever consider an alternative stage name? What was it? Who would that person have been?

I’ve never thought of a different stage name. I use to go by Ella Gonza, back when I first did drag. That was for a house party but once I decided I was going to do drag I changed my last name to Lamoureux. Thinking I wanted a pretty name so I chose Ella Lamoureux. Only later to find out it’s an insanely popular name in Quebec. Thinking I was going to be original by not picking a punny name I just jumped head first into the basic pool. But that also works for my aesthetic.

If you could learn one new performance skill what would it be?

Choreography. I can learn lower body movements and upper body movements but once you add them together my brain turns to mush and I just look like the drunk aunt trying to snag the uncle.

What is your DREAM SHOW? Money is no object.
Who is your DREAM CAST? (dead or alive)

I just recently saw the Drag Queen Christmas show and I’d love to one day be in that show. As for a dream cast I cannot think of any specific people. The show is filled with drag race girls and I don’t know any of them super personally to create a team I’d love to travel with.

Do you have a mantra or philosophy that defines this moment of your performance career? Has this changed over time?

My mantra these days are say yes. I’ve turned down so many opportunities because of self doubt only to realize I can totally do what was asked of me I just second guessed myself. It also pushes me to broaden my skills. And since then I’ve done so many amazing things. Make me more marketable.

Would you share your goals for yourself, or any advice for others in the community?

My goal is to keep having fun. I’ve been a full time performer for over four years now and it’s a lot of work but I’m having the best time. My goal is to keep that joy and excitement. Advice for the community is to always find the joy in whatever you do. And to have that one performer friend you can discuss anything with.